Zack Snyder’s Justice League has arrived, but with it comes more questions than answers on the future of comic book media. What do hashtag campaigns mean for supply and demand? Who are those doing the demanding? What are the political ramifications of this movie? And who is Zack Snyder anyway?
Discussing film criticism in a Post-Avengers: Endgame world, the guys welcome veteran comic and movie podcaster Chris Johnson to talk all things Twitter discourse, Memes, Television tie-ins, Cinematic Universes and, of course, the Snyder Cut.
Weeks after the terrorist attack on Capitol Hill, calls for the Punisher character to be retired were made, some by comic creators! The guys discuss how Frank Castle is seen in the eyes of police, gun rights activists and extremists while going through the three live action films and Netflix tv series.
Taking a break from the onslaught of the year, the guys discuss one of the many controversial Alan Moore adapted works while watching 2003’s LXG!
*Ten Years after Miles Morales was introduced in Ultimate Spider-Man, the character has achieved worldwide celebration through the Oscar-winning animated film “Into the Spider-Verse”. Stella joins Don and Harry to discuss the discourse surrounding Miles, the controversy, and how the film makes good on media diversity.
In a Post-Black Panther, Post-MCU, current-BLM world…precisely what impact did Blade land on the world in 1998? The guys ponder that during and after their commentary of the Wesley Snipes classic!
In this special episode, Dono-chan, Harry-kun and Stella-san are joined by Carolyn Cocca-Senpai to discuss the female future of the action genre, with the tent-pole case study being Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn).
With ten years, twenty-plus films and billions of dollars under its belt, the guys take a step back and try to parse out what went right about the Marvel Cinematic Universe that took so many years to iron out what went wrong with other comic book films.
Don and Harry wrestle over finalizing their top ten list. Which black genre films will battle it out for the top spot?
